Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

He already has 101 fraudulent methods but now he plans to break into the building of a high-ranking civil servant...

Format has a mini drama throughout. At various times the studio panel give their advise. The final choice which determines the end section is a public phone vote. Shows were prerecorded with 2 alternative ends. The vote and correct end were added live for each TX.

The most problematic aspect of Zsolt Kézdi-Kovács's films is the political motif of The Right to Hope, which is incomprehensible from a child's point of view and therefore disrupts the unified soul. The film works just as well without it, and it really works without the element of logical incoherence it introduces into the story. All of this highlights a directorial virtue that was rare in this period. Zsolt Kézdi-Kovács is able to dramatise personal conflicts that arise purely from within.

The guardian of a nursing home lends a compassionate ear to the complaints of two new pensioners who love each other and have only one dream: to see the sea. To help them realize their dream, the brave man steals the car of the director. She quickly discovers the crime and drags her pale husband to the pursuit of the trio, aboard a tanker truck...

The Second Amendment of the Constitution forms the basis of this drama that follows the crusade of a lawyer to allow citizens to carry handguns. He launched his fight after his wife and daughter were killed during a robbery.

Feeling pressured to become more sexually experienced before she goes to college, Brandy Klark makes a list of things to accomplish before hitting campus in the fall.

On July 14, 2006, the crew of the fishing boat Francisco y Catalina finds a skiff adrift in Mediterranean waters with several African immigrants on board.

A mother hires an ex-C.I.A. man to find and bring back her son, who has been abducted by his father and taken to Morocco, where his grandfather, the ruler of a desert tribe, wants him to become his successor.

Two college girls heading to a concert attempt to buy some marijuana on the "Wrong Side of The Tracks" and have to fight for their lives against a crazed Satanic cult.